Reformed Churchmen

We are Confessional Calvinists and a Prayer Book Church-people. In 2012, we remembered the 350th anniversary of the 1662 Book of Common Prayer; also, we remembered the 450th anniversary of John Jewel's sober, scholarly, and Reformed "An Apology of the Church of England." In 2013, we remembered the publication of the "Heidelberg Catechism" and the influence of Reformed theologians in England, including Heinrich Bullinger's Decades. For 2014: Tyndale's NT translation. For 2015, John Roger, Rowland Taylor and Bishop John Hooper's martyrdom, burned at the stakes. Books of the month. December 2014: Alan Jacob's "Book of Common Prayer" at: http://www.amazon.com/Book-Common-Prayer-Biography-Religious/dp/0691154813/ref=sr_1_1?ie=UTF8&qid=1417814005&sr=8-1&keywords=jacobs+book+of+common+prayer. January 2015: A.F. Pollard's "Thomas Cranmer and the English Reformation: 1489-1556" at: http://www.amazon.com/Thomas-Cranmer-English-Reformation-1489-1556/dp/1592448658/ref=sr_1_1?ie=UTF8&qid=1420055574&sr=8-1&keywords=A.F.+Pollard+Cranmer. February 2015: Jaspar Ridley's "Thomas Cranmer" at: http://www.amazon.com/Thomas-Cranmer-Jasper-Ridley/dp/0198212879/ref=sr_1_1?ie=UTF8&qid=1422892154&sr=8-1&keywords=jasper+ridley+cranmer&pebp=1422892151110&peasin=198212879

Showing posts with label 875; Refounded by Aethelfaed. Show all posts
Showing posts with label 875; Refounded by Aethelfaed. Show all posts

Thursday, February 5, 2015

February 875 A.D. Chester Abbey, Cheshire—Founded by Secular Canons; Destroyed in Danish Raids, 875; Refounded by Aethelfaed, Daughter of King Alfred, 907; Benedictine Monks, 1092; Dissolved 1540


February 875 A.D.  Chester Abbey, Cheshire—Founded by Secular Canons;  Destroyed in Danish Raids, 875;  Refounded by Aethelfaed, Daughter of King Alfred, 907;  Benedictine Monks, 1092; Dissolved 1540; Episcopal Diocesan Catheral; Province of York; 201 Miles Northwest of London, about 2200 As the Crow Flies

No author. “Chester Cathedral.”  Chester Virtual Stroll.  N.d. http://www.chesterwalls.info/cathedral.html.  Accessed 23 Nov 2014.

 

There is much that remains mysterious about the early history of the site now occupied by the beautiful Chester Cathedral. 

Certainly, it occupies a large central area within the former Roman fortress of Devaand substantial traces of this doubtlessly still lie beneath the present building, even including, it is conjectured, remains of a Roman temple dedicated to Apollo. And, in the words of the 19th century Chester guide and author Thomas Hughes, "that this temple had itself supplanted a still older fane of the superstitious Druids".

The later continuous occupation of the site for well over a thousand years by a succession of church, abbey and cathedral buildings has, however, understandably prevented attempts to substantiate these claims.

According to
 Henry Bradshaw, a 16th century Chester monk and scholar, Christianity was introduced here in about AD140 by Lucius, King of the Britons. This is entirely unproven, but King Lucius certainly existed and is mentioned by Bede and Geoffrey of Monmouth. 

Contemporary opinion places the coming of Christianity to Britain to c. AD175-200 and it seems certain that missionaries would early on have found their way to the fortress of Deva, home as it was to a cosmopolitan population of soldiers, sailors, merchants and others hailing from all parts of the vast Roman Empire. Just when and where they erected their first church we have no idea, indeed, a permanent building may not have appeared at all until after the abandonment of the fortress by the Legions early in the 5th century. Recognising the inherent power of ancient Pagan sites and the reverence in which they were held by the people, the early Christians commonly utilised them for their new churches, and an abandoned temple here in the heart of the old fortress would doubtless have qualified as such a prestigious location. We know that other ancient Chester ecclesiastical foundations were founded upon the sites of less venerated structures such as abandoned Roman gatehouses- St. Michael's in
 Bridge Street  stands where Deva's South Gate once was and Holy Trinity in Watergate Street is on the site of the long-vanished West Gate. (These once-important entrances fell out of use when the City Walls were extended to their present positions by the Saxon re-occupiers over a thousand years ago).

The Saxon church appears upon this Chester penny of c. AD 920

Evidence of the practice of reoccupying ancient holy sites can be found in a letter from Pope Gregory to Abbot Mellitius (dated to 601 AD) asking him to help
 Augustine with the conversion of the Anglo Saxons:

"We wish you to inform him that we have been giving careful thought to affairs of the English, and have come to the conclusion that the temples of the idols among that people should on no account be destroyed. The idols are to be destroyed, but the temples themselves are to be aspersed with holy water, alters set up in them, and relics deposited there. For these temples are well-built, they must be purified from the worship of demons and dedicated to the service of the true God. In this way, we hope that the people, seeing that their temples are not destroyed, may abandon their error and, flocking more readily to their accustomed resorts, may come to know and adore the true God."

Interestingly, in October 2001, while investigating the site of a former telephone exchange half a mile or so from the Cathedral in Boughton, archaeologists unearthed a small slab of slate bearing a fragmentary portion of a Latin inscription, susceptum solvit laetus merito- ("gladly and with joy he fulfilled his undertaking to the god who well deserved it").

It was found on the bed of a Roman water channel, 2 metres wide and lined with wood and stone, which eventually dried up and then used as a rubbish tip. A local expert commented "the obvious inference is that this inscription came from a temple. If this is so, then we have the first written reference to a temple in Chester. Because the piece was essentially found in an ancient rubbish tip, it is hard to pinpoint the exact location of where the temple once stood. Chester was such a prominent place in Roman times, it is unusual that we have never found any record of a Roman temple before but this discovery now sets the record straight".

Right: an interesting early 19th century view of the Cathedral as seen from Cow Lane Bridge.

In the winter of 1921-2, during the construction of the War Memorial (illustrated here) between the South Porch and the entrance to the South Transept, the extensive remains of a grand Roman building (the temple?) were unearthed. Lying beneath seven feet of earth and built upon the solid bedrock, were discovered well-built walls four feet in thickness with fine ashlar faces on both sides and built in thin courses of 4-5 inches in depth. Some sections were, curiously, built on top of flat paving stones, themselves lying on the sandstone bedrock- a rather unnecessary procedure, one would have thought, but one which may point to the fact that this wall was built upon the remains of an even earlier building. Well formed pieces of cornice were also found, each weighing up to 10 cwt.

It seems likely that Chester's first Christians suffered along with their fellows during the waves of persecution which regularly swept over the Roman Empire. During the course of describing the death of the first English martyr, Alban, at Verulamium (modern St. Albans) in AD 301,Bede recorded that, "Diocletian in the East and Herculius in the West ordered all churches to be destroyed, and all Christians to be hunted out and killed. This was the tenth persecution since Nero and was more protracted and horrible than all that had preceded it. It was carried out without any respite for ten years, with the burning of churches, the outlaw of innocent people and the slaughter of martyrs".

Bede, who wrote his great 
History of the English Church and People at Jarrow in remotest Wearside in North East England in the first half of the eighth century, during the so-called Dark Ages, also recorded that, "In the same persecution suffered Aaron and Julius, citizens of the City of the Legions" ( that being the meaning of Chester's name).

The Cloisters at Chester Cathedral: left, by George Cuitt (1779-1854) and below, by Steve Howe 1992

St. Werburgh
So far, very much is romantic conjecture but what is certain is that, around the year 690, the Anglo-saxon princess
Werburgh (also here), daughter of Wulfhere, King of Mercia, and grand-daughter of King Penda, after "a life of pious works", died and was buried at Hanbury in Staffordshire. Not much more is now known about her, beyond her royal liniage, her reputation for sanctity and her powerful connections, with several sainted aunts and a revered grandmother, St. Sexburgh.

The author of the 1792 Chester Directory wrote of her early life: "Werburgh... who, the good wives of the present day will wonder to hear, took the veil after living for three years with her husband, Ceolredus, in a state of vestal purity! Whether the chaste lady's immaculacy was was more ascribable to a constitutional coldness or to a spiritual heat, historians have not been kind enough to inform us; nor even have they vouchsafed to say what sort of a man her husband was..."

She first became a nun at Ely, lived most of her life at Weedon, Northamptonshire, died at Threckingham in Linclolnshire and was buried in Hanbury, Stafforshire. An account of her life, written by the Flemish monk Goscelin at Canterbury at the end of the 10th century, told how she was kind to every creature of God, even the wild geese that ravaged her fields at Weedon. It is said that, after shutting a large flock of them indoors overnight as punishment, she pardoned and released them. Upon discovering that one of their number was missing, having been stolen by a servant, the birds came winging noisily back to her. Werburgh understood the meaning of their cries, and, having secured the release of their fellow, she rejoiced with them, saying, "Birds of the air, bless the Lord!" The whole flock then flew away and never again interfered with the land of the blessed Werburgh.

A few years after her death, her body was found to be "miraculously uncorrupted" and her tomb became an object of veneration. But, a century and a half later, around 875, an invading Danish army advancing upon nearby 
Repton ("The historic capital of Mercia") made it necessary for the Saint's remains to be moved to a place of safety. The nuns made for the famous walled city of Chester and re-interred their charge in a Saxon church dedicated to St. Peter and St. Paul, which had been founded by Werburgh's father Wulfhere around AD660, possibly incorporating parts of the old Roman temple.

The church was re-dedicated to St. Werburgh and St. Oswald in 907- just over 1100 years ago- by Aethelflaed, daughter of Alfred the Great, who had recently reoccupied and extended the abandoned Roman fortress as part of here campaign against the Norsemen and who rebuilt St. Peter's at the Cross- where its successor still stands- and to which the dedication was transferred. 

Not a trace of the Saxon church where Werburgh was laid to rest remains visible above ground today, although excavations during the recent replacement of the nave floor revealed 
stonework which may have formed part of it.

Right: This statue of Werburgh graces the front of the Roman Catholic church also dedicated to her in Park Street, which was founded in 1873.

The Shrine
When the mortal remains of Saint Werburgh was brought to Chester, they were put into a casket which was eventually, around 1340, housed in a beautiful and ornate carved shrine. Upon the efficacy of this shrine and its relics, the church was to gain a considerable- and exceedingly lucrative- reputation as a place of pilgrimage.

Henry Bradshaw (died 1513), a monk of the Abbey whom wrote a famous 
life of the saint, claimed that the shrine had been responsible for miraculous interventions that had saved Chester in times of peril. For example, when the Welsh under King Gruffydd besieged the city, the shrine was lifted up onto the battlements; as soon as the King looked upon it, he was struck blind and the siege was abandoned.

The presence of the saint was given as the reason the Abbey was untouched when much of Chester was destroyed by a succession of disastrous fires. 

The shrine, once brightly painted and containing a jewel-encrusted casket housing the relics of the saint, was broken up on the order of Henry VIII at the reformation when the Abbey itself was dissolved, and parts of it were actually incorporated into the fabric of a grand throne constructed soon after for the new Bishop. In 1876, its scattered portions, as many as could be found, were re-assembled by one of the cathedral's restorers, 
Sir A. W. Blomfield, and today the understandably battered-looking result stands in the Lady Chapel. It no longer houses the bones of Werburgh however, and nobody now knows what became of them.

In the time of 
King Aethelstan, around AD 975, a monastery was founded here and dedicated to St. Werburgh and St. Oswald. In 1057, Leofric, Earl of Mercia, largely rebuilt the church and gave land for the support of the foundation.

After the Norman conquest (Chester was the last city in England to fall, a full three years after the battle of Hastings) the Conqueror's nephew and first Earl, Hugh D'Avranches, known as Lupus ('the Wolf') and Ermetrude, his wife, transformed the building into a grand Benedictine monastery, assisted by Anselm, who later became Archbishop of Canterbury. The first monks came from the abbey of Bec in Normandy. Work started in 1092, and, over the next couple of centuries, the modest church was transformed into a great monastic complex, built in the Romanesque style. Parts of this Norman building may still be seen today, most notably in the North Transept, where a great arch and triforium survive unchanged after more than 900 years. The north-west corner of the Cathedral is the oldest part of the nave, its original Norman end, with imposing rounded arches built around 1140.

The Cathedral Baptistry set in the Norman North West Tower.

(The finest Norman ecclesiastical architecture in Chester, however, is to be seen in the wonderful building we are to visit later in our stroll: the 
Church of St. John the Baptist)

In 1101, after a lifetime of excess, Hugh the Wolf, oppressor of the people and father of numerous illegitiate children, having over the years become Hugh the Fat- took Holy Orders and became a monk of the Abbey, doubtlessly in a last-minute attempt to atone for his numerous sins.

In the mid-13th century, the new 
Gothic style of architecture spread from Europe, first appearing at Chester in the beautiful Lady Chapel of c.1260 and the Chapter House of c.1250, from where the abbey was administered and the monks would listen to a daily chapter from the rule of St. Benedict. This was also the burial place of the Abbots and also of most of the Earls of Chester. This has one of the finest vaulted interiors of its type anywhere, a splendid example of the first period of native Gothic architecture, the Early English.

For the best part of the next three centuries- to the very eve of the Abbey's suppression in 1538- work went on continuously to produce the building much as we know it today.

Set high in the Lady Chapel is this ceiling boss depicting the murder of Archbishop Thomas Becket in 1170. He engaged in conflict with Henry II over the rights and privileges of the Church and was assassinated by knights loyal to the king in Canterbury Cathedral. He was canonized soon after his death. In 1220, Becket's remains were relocated from his first tomb to a grand shrine where it long attracted great numbers of pilgrims. This was destroyed in 1538, during the Dissolution of the Monasteries, on the orders from Henry VIII, who also scattered Becket's bones and ordered that all images of him be obliterated. Even to mention his name was forbidden. Hence Chester Cathedral's relic of Becket is a very great rarity.

The Baptistry (above) is housed in one of the oldest surviving sections of the Cathedral, the Romanesque (Norman) north-west tower, built in the middle of the 12th century. The white marble font was found in a ruined church in Italy and is carved with early Christian symbols such as peacocks (representing the resurrection) and bears the Greek letters alpha and omega. Said to have been made in the sixth or seventh century, its original purpose remains a mystery- perhaps it was the well-head in some long vanished village.

In the Baptistry, also, is to be found a centuries-old board for the ancient game of nine men's morris or merrillsscratched into the stone of the plinth of the north east tower- where, perhaps, the monks whiled away some of the little leisure time they enjoyed between services.

The Chapel of St. Nicolas
Like the Saxon minster before it, the Abbey served the townspeople as a parish church, services being held in the south aisle of the nave at an altar dedicated to 
St. Oswald. 
With the rebuilding of the nave in the 14th century, they were required by the monks to move to a former guild chapel dedicated to 
St. Nicolas, which had been built in 1280, and which is still standing just across the road from the Cathedral in what is now St.Werburgh Street. 

Their new accomodation seems to have been unpopular with the parishioners as they later returned to worship in the exceptionally-large south transept of the Abbey, which was designated as the Parish Church of St. Oswald and actually walled off from the rest of the building. This unusual situation continued until as late as 1872, when the new 
Church of St. Thomas of Canterbury in Parkgate Road, one of hundreds of churches designed by Sir George Gilbert Scott- became the church of the Parish of St. Oswald.

The abandoned chapel fell into disuse until the Abbey was dissolved, when for a time it housed the King's Schoolbefore being purchased by the town to serve as a new Common Hall. The lower room was used for the storage of bulk goods such as cloth, wool and grain "to be vended and sold by Forreiners and Strangers, at times allowable in the city" and the upper room for "assemblies, elections and courts".

When the new 
Exchange was built in nearby Market Square in 1695, the old chapel became the Wool Hall and thirty years later was adapted for the showing of plays, being greatly upgraded in 1773 to become the Theatre Royal, where appeared such stars of their day as Sarah Siddons in 1786 and Edmund Kean.

Both an Act of Parliament and the personal assent of the Monarch were necessary at this time in order to obtain a licence to open a public theatre and copies of that pertaining to Chester still exist, dating from the early part of the reign of George III, 1761. Audiences didn't sit quietly to enjoy a play as they do today, but would argue and fight among themselves and throw objects and abuse at the performers if their efforts failed to please. Of the Act relating to Chester, it is interesting to note that it was allied to an Act of Queen Anne for "reducing the laws relating to Rogues, Vagabonds, Sturdy Beggars and Vagrants".

The theatre long after remained a source of official suspicion and plays were required to be licenced by the Lord Chancellor right up to the 1960s.

In 1854 the building was enlarged- the new frontage being designed by 
James Harrison- and then became a Music Hall. Charles Dickens, who read here in 1867, described it thus: "The hall is like a Methodist Chapel in low spirits, and with a cold in its head".

Dickens seemed to have suffered from the cold excessively in Chester. He wrote that, while staying at the Queen Hotel, "he felt like a piece of meat hanging in a larder". (The Queen, opposite the railway station, remains one of Chester's finest hotels- and is doubtessly rather warmer these days).

The 13th century Chapel of St. Nicolas- much altered and enlarged over the years to accomodate a school, Common Hall, theatre, cinema and a variety of shops- as seen from the roof of Chester Cathedral in 1997. In front of it stands St. Werburgh's Row and in the background the tower of St. Peter's Church at The Cross.. Photograph by the author.

In 1921, the Music Hall became the oldest building in the world to be used as a cinema and showed 
Al Jolson's 'talkie' The Singing Fool six years later, September 23rd 1929. (Read about it in our brief history of the cinema in Chester here). It closed in 1961 and became a branch of Lipton's, the first supermarket within the City Walls. Since that time, it has housed a number of retail businesses and today the venerable 13th century Chapel of St. Nicolas plays host to a branch of Superdrug.

• It was announced in May 2001 that Chester's other surviving old music hall and theatre, the Royalty in City Road, was to be demolished, eventually to be replaced by a hotel. Go 
here to see some photographs and learn a little of its fascinating history...

Before moving back into the Cathedral, notice the fine row of shops facing it and adjoining the old chapel: St. Werburgh's Row, built for the Hodkinson Trustees in a sensitive Arts and Crafts style in 1935. The row was designed by 
Maxwell Ayrton (1874-1960) who, in partnership with Sir John Simpson, was more famously the architect of the first Wembley Stadium, with its world-famous twin towers.

Go on to Part II of our exploration of Chester Cathedral...

Curiosities from Chester's History no. 8

  • 1354 The title 'Admiral of the Dee' first conferred upon the Mayor by Edward the Black Prince. In the following year, he granted the Dee Mills to Sir Howell Fwyell for life, in recognition of his bravery at the Battle of Poitiers.
  • 1357 A fat ox sold for 6s 8d, a fat sheep for 6d, a pig for 1d. Labourers earned 6d per day.
  • 1362 Piers Plowman, poem in Middle English, ascribed to William Langland of Malvern
  • 1363 Thomas de Newport becomes seventeenth Abbot of St. Werburgh's (-1386)
  • c.1375 The Chester Mystery Plays first performed.
  • 1376 Edward the Black Prince died. The following year, Edward III died and his grandson Richard, son of the Black Prince, assumed the throne as Richard II (1367-1400). Robin Hood first appears in English popular literature. Having become an infamous refuge for vagabonds and outlaws, the Wilderness of Wirral, "was, on the petition of the citizens of Chester, deforested by the order of Edward III:
    "His way was wild and strange, by banks where none had been... into the wilderness of Wirral, where few dwelled who granted any good to God or man" (
    Sir Gawain and the Green Knight)
  • 1377 The Abbot was granted permission to crenellate his gates and boundary walls and the great Abbey Gateway was built.
  • 1379 A bushel of wheat sold for 6d, a gallon of white wine for 6d, a gallon of claret for 4d, a fat goose for 2d and a fat pig for 1d. The Old Dee Bridge reconstructed in stone, as we know it today.
  • 1380 The magnificent choir stalls in the Cathedral were installed this year.
  • 1387-1400 Chaucer: The Canterbury Tales. Henry de Sutton becomes eighteenth Abbot of St. Werburgh's (-1413)
  • 1393 Sir Baldwyn Rudistone and other desperados excite a dreadful riot in the Abbey Precincts and city. After killing one Sheriff, taking the other prisoner and injuring the Mayor, they were finally expelled but returned a few days after with 300 men, and attempted to take the place by surprise, but were repulsed and many taken prisoner.
  • 1396 Richard II marries Isabella of France. The following year, he visited Chester and was provided with 2000 loyal archers as his bodyguard, who wore his personal motif of the White Hart. He was very popular with the citizens and adopted the outlandish title of "Prince of Chester for the love he bare to the Gentlemen and Commoners of the Shire of Cheshire". In September 1397 began the Parliament in London for which the King had around him "a great guard of Cheshire men to secure his person".

February 875 A.D. Chester Abbey, Cheshire—Founded by Secular Canons; Destroyed in Danish Raids, 875; Refounded by Aethelfaed, Daughter of King Alfred, 907; Benedictine Monks, 1092; Dissolved 1540


February 875 A.D.  Chester Abbey, Cheshire—Founded by Secular Canons;  Destroyed in Danish Raids, 875;  Refounded by Aethelfaed, Daughter of King Alfred, 907;  Benedictine Monks, 1092; Dissolved 1540; Episcopal Diocesan Catheral; Province of York; 201 Miles Northwest of London, about 2200 As the Crow Flies

 

Chester Cathedral


From Wikipedia, the free encyclopedia

Chester Cathedral
Cathedral Church of Christ and the Blessed Virgin Mary
East side of the Cathedral
Chester Cathedral
Location in Chester
Location
Country
England
Website
Architecture
Richard Lenginour (1272–1314);[1] Nicholas de Derneford (?)(1316–31);[1]
William Rediche(?) (1461–90s);
[1] Seth and George Derwall (1495–1530s);[1]
Thomas Harrison,
George Gilbert Scott.
Specifications
Length
355 feet (108 m)[2]
Nave width
75 feet (23 m)
Nave height
78 feet (24 m)
Tower height
127 feet (39 m)
Administration
Clergy
Jeremy Dussek, Canon Precentor & Sacrist
Peter Howell-Jones, Vice-Dean
Jane Brooke, Canon Chancellor & Canon Librarian
Peter Jenner, Residentiary Canon (part-time)

Chester Cathedral is a Church of England cathedral and the mother church of the Diocese of Chester.  It is located in the city of Chester, Cheshire, England. The cathedral (formerly the abbey church of a Benedictine monastery, dedicated to Saint Werburgh) is dedicated to Christ and the Blessed Virgin Mary. Since 1541 it has been the seat of the Bishop of Chester.

The cathedral is a Grade I listed building, and part of a heritage site that also includes the former monastic buildings to the north, which are also listed Grade I. The cathedral, typical of English cathedrals in having been modified many times, dates from between 1093 and the early 16th century, although the site itself may have been used for Christian worship since Roman times. All the major styles of English medieval architecture, from Norman to Perpendicular, are represented in the present building.[1][3]

The cathedral and former monastic buildings were extensively restored during the 19th century (amidst some controversy), and a free-standing bell-tower was added in the 20th century. The buildings are a major tourist attraction in Chester. In addition to holding services for Christian worship, the cathedral is used as a venue for concerts and exhibitions.

Contents 



History


The city of Chester was an important Roman stronghold. There may have been a Christian basilica on the site of the present cathedral in the late Roman era,[4] while Chester was controlled by Legio XX Valeria Victrix.[5] Legend holds that the basilica was dedicated to St Paul and Saint Peter.[6] This is supported by evidence that in Saxon times the dedication of an early chapel on this site was changed from Saint Peter to Saint Werburgh.[7]


During the 
Dark Ages Barloc of Norbury,  a Catholic Celtic saint and hermit,[8] was venerated at Chester Cathedral with a feast day on 10 September. He is known to history mainly through the hagiography of the Secgan Manuscript;[9] he also occurs in a litany in the Tanner of the Bodleian Library, Oxford.[10]


In the 10th century, St Werburgh's remains were brought to Chester, and 907 AD her 
shrine was placed in the church.[11] It is thought that Ã†thelfleda turned the church into a college of secular canons, and that it was given a charter by King Edgar in 968. The collegiate church, as it was then, was restored in 1057 by Leofric, Earl of Mercia and Lady Godiva. This church was razed to the ground around 1090, with the secular canons evicted, and no known trace of it remains.[12]


The Shrine of Werburgh was reinstated in the 19th century


The Bishop's Throne was created in the 19th century in the style of the 14th century choir stalls

In 1093 a Benedictine abbey was established on the site by Hugh Lupus, Earl of Chester, and the earliest surviving parts of the structure date from that time.[13] The abbey church was not at that time the cathedral of Chester; from 1075 to 1082 the cathedral of the diocese was the nearby church of St John the Baptist, after which the see was transferred to Coventry.[14] In 1538, during the dissolution of the monasteries, the monastery was disbanded and the shrine of Saint Werburgh was desecrated.[15] In 1541 St Werburgh's abbey became a cathedral of the Church of England, by order of Henry VIII. At the same time, the dedication was changed to Christ and the Blessed Virgin. The last abbot of St Werburgh’s Abbey, Thomas Clarke, became the first dean of the new cathedral, at the head of a secular chapter.[16]

Although little trace of the 10th-century church has been discovered, save possibly some Saxon masonry found during a 1997 excavation of the nave,[17] there is much evidence of the monastery of 1093. This work in the Norman style may be seen in the northwest tower, the north transept and in remaining parts of the monastic buildings.[15] The abbey church, beginning with the Lady Chapel at the eastern end, was extensively rebuilt in Gothic style during the 13th and 14th centuries. At the time of the dissolution of the monasteries, the cloister, the central tower, a new south transept, the large west window and a new entrance porch to the south had just been built in thePerpendicular style, and the southwest tower of the façade had been begun.[1] The west front was given a Tudor entrance, but the tower was never completed.[3]

In 1636 the space beneath the south west tower became a bishop's consistory court. It was furnished as such at that time, and is now a unique survival in England, hearing its last case, that of an attempted suicide of a priest, in the 1930s.[15][18] Until 1881, the south transept, which is unusually large, also took on a separate function as an independent ecclesiastical entity: the parish church of St Oswald.[19] Although the 17th century saw additions to the furnishings and fittings, there was no further building work for several centuries. By the 19th century, the building was badly in need of restoration. The present homogeneous appearance that the cathedral presents from many exterior angles is largely the work of Victorian restorers, particularly George Gilbert Scott.[20]

The 20th century has seen continued maintenance and restoration. In 1922, the Chester War Memorial was installed in the cathedral grounds and dedicated to the fallen soldiers of the First World War and later the Second World War.[21] In 1973–75 a detached belfry, designed by George Pace, was erected in the grounds of the cathedral.[3] In 2005 a new Song School was added to the cathedral.[11] During the 2000s, the cathedral library was refurbished and relocated. It was officially reopened in September 2007.[22] The cathedral and the former monastic buildings were designated as Grade I listed buildings on 28 July 1955.[3][23]

Architecture


Cathedral


Plan


Chester Cathedral has an east-west axis, common to many cathedrals, with the chancel at the eastern end, and the façade to the west. The plan is cruciform, with a central tower (as is usual in English monastic churches), but is asymmetrical, having a small transept on the north side remaining from an earlier building, and an unusually large south transept. As the plan shows, the asymmetry extends to the west front, where the north tower remains from the Norman building, and the south tower is of the early 16th century. At the eastern end, the symmetrical arrangement of the aisles was lost when the end of the south aisle was demolished and rebuilt in an apsidal shape. The nave, choir and south transept have wide aisles on either side, and are lit by clerestory windows and large multi-light windows in each of the three cliff-like ends. To the north of the cathedral are monastic buildings, including the cloister, refectory and a rectangular chapter house. The façade of the building is abutted on the north by later buildings.[3][24]


1. West door
2. South tower & Consistory court
3. North tower
4. Nave
5. Crossing
6. Choir
7. Lady Chapel
8. South porch
9. South aisle
10. South transept
11. South door
12. South choir ailse/St. Erasmus chapel
13. North aisle
14. North transept
15. North Choir aisle
16. St. Werburgh's Chapel
17. Vestry
18. Vestibule
19. Chapter house
20. Slype
21. Monk's Parlour with Song School above it.
22. Refectory
23. Shop
24. Undercroft
25. Abbot's Passage
26. Cloister
27. Cloister garth
28. Reception
29. Memorial garden
a. Font
b. RAF Memorial chapel
c. Monument to 1st Duke of Westminster
d. Cheshire Regiment Memorial
e. St Mary Magdalen Chapel (Children's Chapel)
f. St. Oswald's Chapel
g. St. George's Chapel (Cheshire Regiment)
h. St. Nicholas' Chapel
i. Choir Stalls
j. Bishop's Throne
k. High Altar
l. St. Werburgh's Shrine
m. East Window
n. organ
o. Bishop Pearson's Tomb
p. Cobweb painting
q. Night Stairs
r. Day Stairs
s. Wall Pulpit
t. Lavatorium
u. Norman entrance to refectory
v. Carells
w. Scriptorium
x. Fountain and Sculpture
y. Education centre
z. WCs

External appearance


Like the cathedrals of Carlisle, Lichfield and Worcester, Chester Cathedral is built of New Red Sandstone, in this case Keuper Sandstone from the Cheshire Basin. The stone lends itself to detailed carving, but is also friable, easily eroded by rain and wind, and is badly affected by pollution. With the other red sandstone buildings, Chester is one of the most heavily restored of England's cathedrals. The restoration, which included much refacing and many new details, took place mainly in the 19th century.[25]


The sandstone exterior (from the south west) has much decorative architectural detail but is heavily restored.


The west front with recessed Perpendicular window and portal

Because the south transept is similar in dimension to the nave and choir, views of the building from the south-east and south-west give the impression of a building balanced around a central axis, with its tower as the hub. The tower is of the late 15th century Perpendicular style, but its four large battlemented turrets are the work of the restoration architect George Gilbert Scott.[3] With its rhythmic arrangement of large, traceried windows, pinnacles, battlements and buttresses, the exterior of Chester Cathedral from the south presents a fairly homogeneous character, which is an unusual feature as England's cathedrals are in general noted for their stylistic diversity.[26] Close examination reveals window tracery of several building stages from the 13th to the early 16th century. The richness of the 13th-century tracery is accentuated by the presence of ornate, crocketted drip-mouldings around the windows; those around the perpendicular windows are of simpler form.

The façade of the cathedral is dominated by a large deeply recessed eight-light window in the Perpendicular style,[13] above a recessed doorway set in a screen-like porch designed, probably by Seth and George Derwall, in the early 1500s.[1][13] This porch formed part of the same late 15th-century building programme as the south transept, central and southwest towers, and cloister.[1] Neither of the west towers was completed.[27] To the north is the lower stage of a Norman tower, while to the south is the lower stage of a tower designed and begun, probably by Seth and George Derwall, in 1508,[1] but left incomplete following the dissolution of the monastery in 1538. The cathedral's façade is abutted on the north by a Victorian building housing the education centre and largely obscured from view by the building previously used as the King's School, which is now a branch of Barclays Bank.[28] The door of the west front is not used as the normal entrance to the cathedral, which is through the southwest porch which is in an ornate Tudor style.

Interior



Norman architecture in the north transept


The font stands under the Norman north-west tower

The interior of Chester Cathedral gives a warm and mellow appearance because of the pinkish colour of the sandstone. The proportions appear spacious because the view from the west end of the nave to the east end is unimpeded by a pulpitum and the nave, although not long, is both wide and high compared with many of England's cathedrals. The piers of the nave and choir are widely spaced, those of the nave carrying only the clerestory of large windows with no triforium gallery. The proportions are made possible partly because the ornate stellar vault, like that at York Minster, is of wood, not stone.[15][24]

Norman remnants


The present building, dating from around 1283 to 1537, mostly replaced the earlier monastic church founded in 1093 which was built in the Norman style. It is believed that the newer church was built around the older one.[11] That the few remaining parts of the Norman church are of small proportions, while the height and width of the Gothic church are generous would seem to confirm this belief. Aspects of the design of the Norman interior are still visible in the north transept, which retains wall arcading and a broadly moulded arch leading to the sacristy, which was formerly a chapel.[3] The transept has retained an early 16th-century coffered ceiling with decorated bosses, two of which are carved with the arms of Henry VIII and Cardinal Wolsey.[19]

The north west tower is also of Norman construction. It serves as the baptistry and houses a black marble font, consisting of a bowl on a large baluster dating from 1697.[3] The lower part of the north wall of the nave is also from the Norman building, but can only be viewed from the cloister because the interior has been decorated with mosaic.[11]


The Lady Chapel, Early English Gothic, (1265-90)


The Choir, Decorated Gothic, (1283-1315)

Early English


The Early English Gothic chapter house, built between 1230 and 1265, is rectangular and opens off a "charming" vestibule leading from the north transept.[24]The chapter house has grouped windows of simple untraceried form. Alec Clifton-Taylor describes the exterior of this building as a "modest but rather elegant example of composition in lancets"[24] while Nikolaus Pevsner says of the interior "It is a wonderfully noble room" which is the "aesthetic climax of the cathedral". To the north of the chapter house is the slype, also Early English in style, and the warming room, which contains two large former fireplaces.[29] The monastic refectory to the north of the cloister is of about the same date as the chapter house.[1]

The Lady Chapel to the eastern end of the choir dates from between 1265 and 1290.[1] It is of three bays, and contains the Shrine of St Werburgh, dating from the 14th century. The vault of the Lady Chapel is the only one in the cathedral that is of stone.[24] It is decorated with carved roof bosses representing the Trinity, the Madonna and Child, and the murder of Thomas Becket. The chapel also has a sedilia and a piscina.[3]

Decorated Gothic



The building of the nave, begun in 1323, was halted by plague and completed 150 years later.

The choir, of five bays, was built between 1283 and 1315 to the design of Richard Lenginour,[1] and is an early example of Decorated Gothic architecture. The piers have strongly modelled attached shafts, supporting deeply moulded arches. There is a triforium gallery with four cusped arches to each bay. The sexpartite vault, which is a 19th-century restoration, is supported by clusters of three shafts which spring from energetic figurative corbels. The overall effect is robust, and contrasts with the delicacy of the pinnacled choir stalls, the tracery of the windows and the rich decoration of the vault which was carried out by the ecclesiastical designers, Clayton and Bell.[30] The choir stalls, dating from about 1380, are one of the glories of the cathedral.[24]

The aisles of the choir previously both extended on either side of the Lady Chapel. The south aisle was shortened in about 1870 by George Gilbert Scott, and given an apsidal east end, becoming the chapel of St Erasmus. The eastern end of the north aisle contains the chapel of St Werburgh.[3]

The nave of six bays, and the large, aisled south transept were begun in about 1323, probably to the design of Nicholas de Derneford.[1] There are a number of windows containing fine Flowing Decorated tracery of this period. The work ceased in 1375, in which year there was a severe outbreak of plague in England. The building of the nave was recommenced in 1485, more than 150 years after it was begun. The architect was probably William Rediche.[1] Remarkably, for an English medieval architect, he maintained the original form, changing only the details. The nave was roofed with a stellar vault rather like that of the Lady Chapel at Ely and the choir at York Minster, both of which date from the 1370s. Like that at York, the vault is of wood, imitating stone.[24]

Perpendicular Gothic


From about 1493 until 1525 the architect appears to have been Seth Derwall, succeeded by George Derwall until 1537.[1]Seth Derwall completed the south transept to a Perpendicular Gothic design, as seen in the transomed windows of the clerestory. He also built the central tower, southwest porch and cloisters. Work commenced on the south west tower in 1508, but it had not risen above the roofline at the time of the dissolution of the monasteries, and has never been completed. The central tower, rising to 127 feet (39 m),[1] is a “lantern tower” with large windows letting light into the crossing. Its external appearance has been altered by the addition of four battlemented turrets by George Gilbert Scott in the 19th century.[3]


The Cloister Garth and Refectory

Former monastic buildings


The Perpendicular Gothic cloister is entered from the cathedral through a Norman doorway in the north aisle. The cloister is part of the building programme that commenced in the 1490s and is probably the work of Seth Derwall.[1] The south wall of the cloister, dating from the later part of the Norman period, forms the north wall of the nave of the cathedral, and includes blind arcading.[31] Among the earliest remaining structures on the site is an undercroft off the west range of the cloisters, which dates from the early 12th century, and which was originally used by the monks for storing food.[32] It consists of two naves with groin vaults and short round piers with round scalloped capitals.[3]

Leading from the south of the undercroft is the abbot's passage which dates from around 1150 and consists of two bays with rib-vaulting.[33] Above the abbot's passage, approached by a stairway from the west cloister, is St Anselm's Chapel which also dates from the 12th century. It is in three bays and has a 19th century Gothic-style plaster vault. The chancel is in one bay and was remodelled in the early 17th century. The screen, altar rails, holy table and plaster ceiling of the chancel date from the 17th century.[32][33] The north range of the cloister gives access to a refectory, built by Simon de Whitchurch in the 13th century. It contains an Early English pulpit, approached by a staircase with an ascending arcade. The only other similar pulpit in England is in Beaulieu Abbey.[32]

Restoration



The wooden quadripartite vault of the choir was rebuilt by George Gilbert Scott


Much of the exterior stonework has been refaced in the 19th and 20th centuries.

By the 19th century the fabric of the building had become badly weathered, with Charles Hiatt writing that "the surface rot of the very perishable red sandstone, of which the cathedral was built, was positively unsightly" and that the "whole place previous to restoration struck one as woebegone and neglected; it perpetually seemed to hover on the verge of collapse, and yet was without a trace of the romance of the average ruin".[27] Between 1818 and 1820 the architectThomas Harrison restored the south transept, adding corner turrets.[28]This part of the building served until 1881 as the parish church of St Oswald, and it was ecclesiastically separate.[19] From 1844R. C. Hussey carried out a limited restoration including work on the south side of the nave.[3]

The most extensive restoration was carried out by the Gothic Revivalarchitect, George Gilbert Scott, who between 1868 and 1876 "almost entirely re-cased" the cathedral.[13][15] The current building is acknowledged to be mainly the product of this Victorian restoration commissioned by the Dean, John Saul Howson.[34] In addition to extensive additions and alterations to the body of the church, Scott remodelled the tower, adding turrets and crenellations.[3] Scott chose sandstone from the quarries at Runcorn for his restoration work.[35] In addition to the restoration of the fabric of the building, Scott designed internal fittings such as the choir screen to replace those destroyed during the Civil War.[a] He built the fan vault of the south porch, renewed the wooden vault of the choir and added a great many decorative features to the interior.

Scott's restorations were not without their critics and caused much debate in architectural circles. Scott claimed to have archaeological evidence for his work, but the Liverpool architect, Samuel Huggins argued in an 1868 address to the Liverpool Architectural Society, that the alterations were less like restoration and more like rebuilding. One of the larger changes was to shorten the south aisle and restyle it as an apse. The changes also proposed the addition of a spire above the existing tower, but this proposal was later rejected.[34] Samuel's further paper of 1871 entitled On so-called restorations of our cathedral and abbey churches compelled the Dean to attempt to answer the criticism. The debate contributed to the establishment of theSociety for the Protection of Ancient Buildings.[36]

Later in the century, from 1882, Arthur Blomfield and his son Charles made further additions and modifications, including restoring and reinstating the Shrine of St Werburgh. More work was carried out in the 20th century by Giles Gilbert Scottbetween 1891 and 1913, and by F. H. Crossley in 1939.[3]


The Addleshaw Tower, (1975), houses the bells


The Cheshire Regiment Memorial Garden

Bell tower


Main article: Addleshaw Tower

Towards the end of 1963 the cathedral bells, which were housed in the central tower, were in need of an overhaul and ringing was suspended. In 1965 the Dean asked George Pace, architect to York Minster, to prepare specifications for a new bell frame and for electrification of the clock and tolling mechanism. Due to structural difficulties and the cost of replacing the bells in the central tower it was advised that consideration should be given to building a detached bell and clock tower in the southeast corner of the churchyard. It was decided to proceed with that plan, and in 1969 an announcement was made that the first detached cathedral bell tower was to be erected since the building of the campanile at Chichester Cathedral in the 15th century. In February 1969, nine of the ten bells in the central tower were removed to be recast by John Taylor & Co as a ring of twelve bells with a flat sixth.[37] The new bells were cast in 1973.[38] Work on the new bell-tower began in February 1973. Two old bells dating from 1606 and 1626 were left in the tower. On 26 February 1975 the bells were rung for the first time to celebrate the wedding of a member of theGrosvenor family. The official opening on 25 June 1975 was performed by the Duke of Gloucester. The belfry is known as the Dean Addleshaw Tower, after the dean of the cathedral responsible for its construction.[37] The tower is built in concrete, faced with sandstone at its base. It is the first detached bell tower to be built for a cathedral in this country since theReformation.[39] Between the bell tower and the south transept is a garden in remembrance of the Cheshire Regiment(originally the 22nd Regiment of Foot).[17]

Fittings and glass



The Consistory Court of 1632


Choir Stalls (about 1380) and Rood Screen (late 19th century)

The treasures of Chester Cathedral are its rare fittings, specifically its choir stalls and the 17th-century furnishing of the bishop’s consistory court in the south tower, which is a unique survival.[15]

Choir stalls


The choir stalls date from about 1380. They have high, spiky, closely set canopies, withcrocketed arches and spirelets. The stall ends have poppyheads and are rich with figurative carving.[40] The stalls include 48 misericords, all but five of which are original,[19] depicting a variety of subjects, some humorous and some grotesque. Pevsner states that they are "one of the finest sets in the country",[40] while Alec Clifton-Taylor calls them “exquisite” and says of the misericords that “for delicacy and grace they surpass even those at Lincoln andBeverley”.[24]


The organ of Chester Cathedral


The rood screen

Organ


In 1844, an organ by Gray & Davison of London was installed in the cathedral, replacing an instrument with parts dating back to 1626. The organ was rebuilt and enlarged by Whiteley Bros of Chester in 1876, to include harmonic flutes and reeds by Cavaillé-Coll. It was later moved to its present position at the front of the north transept. In 1910 William Hill and Son of London extensively rebuilt and revoiced the organ, replacing the Cavaillé-Coll reeds with new pipes of their own. The choir division of the organ was enlarged and moved behind the choirstalls on the south side. The instrument was again overhauled by Rushworth and Dreaper of Liverpool in 1969, when a new mechanism and some new pipework made to a design by the organist, Roger Fisher, was installed. Since 1991 the organ has been in the care of David Wells of Liverpool.[41]

Stained glass



Chester suffered badly at the hands of the Parliamentary troops.[24] As a consequence, its stained glass dates mainly from the 19th and 20th centuries and has representative examples the significant trends in stained glass design from the 1850s onwards. Of the earlier Victorian firms, William Wailes is the best represented, in the south aisle (1862), as well as Hardman & Co. and Michael Connor. Glass from the High Victorian period is well represented by two leading London firms, Clayton and Bell and Heaton, Butler and Bayne. The Aesthetic style is represented by Charles Eamer Kempe. Early 20th century windows include several commemorating those who died in World War I.

There are also several notable modern windows, the most recent being the refectory window of 2001 by Ros Grimshaw which depicts the Creation.[42] The eight-light Perpendicular window of the west end contains mid-20th century glass representing the Holy Family and Saints, by W. T. Carter Shapland. Three modern windows in the south aisle, designed and made by Alan Younger to replace windows damaged in the Second World War. They were donated by the 6th Duke of Westminster to celebrate the 900th anniversary of the cathedral and contain the dates 1092 and 1992 to reflect the theme of "continuity and change".[43]

Tour of features



The font at the end of the north aisle


The nave lectern and tiled floor

Nave


The west end of the nave is dominated by an eight-light window in the Perpendicular Gothic style which almost fills the upper part of the west wall. It contains stained glass designed by W. T. Carter Shapland dating from 1961 and depicts the Holy Family in the middle two lights, flanked by the northern saints Werburgh, Oswald, Aidan, Chad and Wilfrid, andQueen Ethelfleda.[44]

The stone nave pulpit was designed by the restorer R. C. Hussey and thelectern, dated 1876, is by Skidmore.[45] The mosaic floor of the tower bay was designed by Dean Howson and executed by Burke and Co. The same firm installed the mosaics which decorate the wall of the north aisle, depicting the patriarchs and prophets Abraham, Moses, David andElijah.[3] They were designed by J. R. Clayton of Clayton and Bell, and date from 1883 to 86.[45]

Monuments in the nave include those to Roger Barnston, dated 1838, by John Blayney, to Bishop Stratford, dated 1708, to Bishop Hall who died in 1668, to Edmund Entwistle, dated 1712, to John and Thomas Wainwright who died respectively in 1686 and 1720, to Robert Bickerstaff who died in 1841 by Blayney, to Dean Smith who died in 1787 by Thomas Banks, and to Sir William Mainwaring, dated 1671.[45]


A beer-swilling man with the rear end of a pig


A misericord showing Alexander the Great being carried Heavenwards by griffons

Choir


The most famous feature of the choir is the set of choir stalls, dating from about 1380, and described above. Thelectern, in the form of a wooden eagle, symbol of John the Evangelist, dates from the first half of the 17th century.[46]The candlesticks also date from the 17th century and are by Censore of Bologna who died in 1662.[40]

With these exceptions, most of the decoration and the fittings of the choir date from the 19th century and are in keeping with the Gothic Revival promoted by the Oxford Movement and Augustus Welby Pugin. The restored vault of the choir is typical of the period, having been designed by Scott and decorated and gilded by Clayton and Bell.[30]

The choir is entered through a screen designed by George Gilbert Scott, with gates made by Skidmore. The rood was designed by Scott, and was made by F. Stuflesser.[3] The bishop’s throne or “cathedra” was designed by Scott to complement the choir stalls. It was constructed by Farmer and Brindley in 1876. The reredos and the floor mosaic date from 1876, and were designed by J. R. Clayton. The east window has tracery of an elegant Decorated Gothic design which is filled with stained glass of 1884 by Heaton, Butler and Bayne.[40]


The Chancel- the High Altar has a reredos by J.R. Clayton of Clayton and Bell, and a seasonal altar frontal in the Art Nouveau style.


Sedilia and one of a pair of candlesticks in the choir

Lady Chapel


The 13th-century Lady Chapel contains the stone shrine of Saint Werburgh which dates from the 14th century and which used to contain her relics. The shrine, of similar red sandstone as the cathedral, has a base pierced with deep niches. The upper part takes the form of a miniature chapel containing statuettes. During the dissolution of the monasteries it was dismantled. Some of the parts were found during the 1873 restoration of the cathedral and the shrine was reassembled in 1888 by Blomfield. A carving of St Werburgh by Joseph Pyrz was added in 1993.[47]Also in the chapel are a sedilia and a piscina. The stained glass of 1859, is by William Wailes. The chapel contains a monument to Archdeacon Francis Wrangham, made byHardman & Co. and dating from 1846.[48] In 1555, George Marsh, Martyr stood trial here accused of heresy.[49]

North choir aisle


The north choir aisle has a stone screen by R. C. Hussey and an iron gate dated 1558 that came from Guadalajara. At the east end of the aisle is the chapel of St Werburgh which has a vault of two bays,[50] and an east window depicting the Nativity by Michael O'Connor, dated 1857. Other stained glass windows in the north aisle are by William Wailes, by Heaton, Butler and Bayne, and by Clayton and Bell. The chapel contains a piscina dating from the 14th century,[3] and monuments to Bishop Graham dated 1867, and to William Bispham who died in 1685,[48] Other monuments in the north aisle include a tablet to Bishop Jacobson, dated 1887, by Boehm to a design by Blomfield.[40]


The Nativity Window in the Chapel of St Werburgh, by Michael O'Connor (1853)


The chancel window by Heaton, Butler and Bayne (1884)

North transept, sacristy and chapter house


The small Norman transept has clerestory windows containing stained glass by William Wailes, installed in 1853.[51] The sacristy, of 1200, has an east window depicting St Anselm, and designed by A. K. Nicholson. In the north transept is a freestanding tomb chest monument to Bishop Pearson who died in 1686, designed by Arthur Blomfield and carved by Nicholas Earp, with a recumbent effigy by Matthew Noble. Other monuments in the transept include one to Samuel Peploe, dating from about 1784, by Joseph Nollekens. The wall monuments include cenotaphs to members of the Cheshire (Earl of Chester's) Yeomanry killed in the Boer Warand in the First and Second World Wars.[3] At the corner of the transept with the north aisle is a 17th-century Tree of Jesse carved in whale ivory. A niche contains a rare example of a "cobweb picture", painted on the web of a caterpillar. Originating in the Austrian Tyrol, it depicts Mary and the Christ-Child, and is based on a painting by Lucas Cranach the Elder.[52]

The chapter house has stained glass in its east window by Heaton, Butler and Bayne and grisaille windows in the north and south walls, dated 1882–83, by Blomfield.[53] It contains an oak cope cupboard from the late 13th century.[54] The front of the chapter house was rebuilt to a design by Hussey.[29]

South choir aisle


The south aisle was shortened in about 1870 by Scott, and given an apsidal east end, becoming the chapel of St Erasmus.[3]The stained glass in the apse window is dated 1872 and is by Clayton and Bell. Below this is a mosaic designed by J. R. Clayton and made by Salviati, and a fresco painting by Clayton and Bell, dated 1874. Elsewhere the stained glass in the aisle is by Wailes, and by Hardman & Co. to a design by Pugin.[51] The aisle contains the tomb of Ranulf Higdon,[32] a monk at St Werburgh's Abbey in the 12th century who wrote a major work of history entitled Polychronicon,[55] a monument to Thomas Brassey (a civil engineering contractor who died in 1870), designed by Blomfield and made by Wagmuller, a monument to Bishop Peploe who died in 1752, and three painted monuments by a member of the Randle Holme family.[51]


The south transept has window tracery in the Flowing Decorated style


Altar in the south transept with a reredos depicting scenes of Mary of Bethany

South transept


The south transept, formerly the parish church of St Oswald contains a piscina and sedilia in the south wall.[19] On the east wall are four chapels, each with a reredos, two of which were designed by Giles Gilbert Scott, one by Kempe and the other by his successor, W. E. Tower.[3]The south window is dated 1887 and was made by Heaton, Butler and Bayne to a design by R. C. Hussey.[28] Other stained glass in the transept is by Clayton and Bell, by C. E. Kempe and by Powell. The monuments include those to George Ogden who died in 1781, by Hayward, to Anne Matthews who died in 1793, by Thomas Banks, to John Philips Buchanan who died at Waterloo in 1815, and to the first Duke of Westminster, designed by C. J. Blomfield.[45] On the wall of the southwest crossing pier are monuments which include a cenotaph to the casualties in HMS Chester in the Battle of Jutland in 1916 who included the 16-year-old John Cornwell VC. The west wall of the south transept has many memorials, including cenotaphs to the Cheshire Regiment, the Royal Air Force and the Free Czech Forces.[3]


The Cloisters


The Water of Life by Stephen Broadbent

Cloisters and refectory


The cloisters were restored in the 20th century, and the stained glass windows contain the images of some 130 saints.[32]The cloister garth contains a modern sculpture entitled The water of life by Stephen Broadbent.[56] The refectory roof is dated 1939 and was designed by F. H. Crossley.[57] The east window with reticulated tracery was designed by Giles Gilbert Scott and is dated 1913.[58] The stained glass in the west window, depicting the Creation, was designed by Ros Grimshaw and installed in 2001 to celebrate the Millennium.[59] On the refectory's west wall there is a tapestry depicting Elymas being struck with blindness[32] which was woven at Mortlake in the 17th century from a cartoon by Raphael. The heraldic paintings on the north wall represent the arms of the Earls of Chester.[59]

Library



A library has been present since the time of St Werburgh's Abbey, and following the dissolution of the monasteries it became the cathedral library.[60] It continued to grow over the centuries, but by the 19th century it had become neglected.[61] Between 1867 and 1885 it was enlarged and in the 1890s new bookcases were added.[62] A further reorganisation took place in the 1920s but by the 1980s the contents were contained in five separate sites around the cathedral.[63] A programme of repair and re-cataloguing of the contents was instituted. During the 2000s more work was carried out and the refurbished library, housed in three rooms, opened in 2007.[64] The library is available for research and for organised visits by groups.[22]

Ministry



A defaced misericord showing the Virgin and Child framed by pelicans, symbols of Christ's love for the Church.


Carving from the Dean's Chair

Chapter


  • Dean – The Very Revd Dr Gordon McPhate (since 7 September 2002 installation)
  • Vice-Dean – The Revd Canon Peter Howell-Jones (since 25 September 2011 installation)[65]
  • Canon Precentor & Sacrist – The Revd Canon Jeremy Dussek (since 13 September 2014 installation)
  • Canon Chancellor & Canon Librarian – The Revd Canon Jane Brooke (since 11 September 2010 installation)[66]
  • Residentiary Canon (part-time) – The Revd Canon Dr Peter Jenner (since 2012)

Services


The cathedral is a place of Christian worship, with two services held daily, and four or five each Sunday. There is Holy Communion each day, and Choral Evensong each day except Wednesday.[67]

Music


The Director of Music is Philip Rushforth and the Assistant Director of Music is Benjamin Chewter; they are assisted by an Assistant Organist, Geoffrey Woollatt.[68] There are lunchtime organ recitals weekly on Thursday.[69] The monthly program of music is available on the cathedral's website.[70]

The hymn-writer William Cooke (1821–1894) was a canon of Chester.[71]

Organists



The earliest recorded appointment of an organist is of John Brycheley in 1541.[72] Notable organists include the composersRobert White and John Sanders, conductor George Guest and the recording artist Roger Fisher.[72][73]

Choirs


The choral tradition at Chester is 900 years old, dating from the foundation of the Bendedictine monastery. In 1741 Handel heard the first recital of his Messiah at Chester.[18] There are usually eight choral services in the cathedral each week. Chester has a cathedral choir of male lay clerks, choral scholars, and boy and girl choristers. They rehearse in the Song School, built on the site of the former Monks' Dormitory. In addition to singing at services, the choir perform in concerts, tour abroad, and make recording on CDs. There is no choir school at Chester, so the choristers come from local schools.[74] There is also a mixed choir of adults, the Nave Choir, which sings Compline on Sunday evenings and in other services. This choir also takes part in concerts, and undertakes tours. Having been founded during the 1860s, it is the longest-running voluntary cathedral choir in Britain.[75]

Activities


Apart from services, a variety of events such as concerts, recitals, exhibitions and tours are held at the cathedral.[76] There are weekly lunchtime organ recitals each Thursday, and concerts by the Chester Cathedral Nave Choir.[77]

The cathedral and precinct are open to visits both by individuals and by groups.[78] The former Refectory of the abbey is used as a café.[59] The Refectory, the Cloister Room, the Chapter House, and the Vestibule can be hired for meetings, receptions and other purposes.[79]

Burials



Gallery


Stained glass windows


The Lady Chapel has Lancet Gothic windows with mid-19th-century glass by William Wailes(1859) depicting the Passion, Resurrection and Ascension of Christ.


The south transept window, Flowing Decorated Gothic, with High Victorian glass by Heaton Butler and Bayne (1887)


The west window is Perpendicular Gothic with 20th-century stained glass by W. T. Carter Shapland (1961). The Holy Family with Saints Werburgh, Oswald, Aidan, Chad, Wilfrid, andEthelfleda


The three Westminster windows by Alan Younger (1992) celebrate the 900th anniversary of the cathedral.

See also




References and notes


Notes

    1. Jump up^ During which the roof was melted down to make musket balls.[18]

Citations

    1. ^ Jump up to:a b c d e f g h i j k l m n o p q Harvey 1961, p. 125.
    2. Jump up^ All dimensions taken from Hiatt 1898, p. 115.
    3. Jump up^ White, Kevan W. (17 September 2007). "Deva Victrix-Castra Legionis". Roman-Britain.org. Retrieved 24 May 2008.
    4. Jump up^ Home 1925, p. 14.
    5. Jump up^ Richards 1947, pp. 93–94.
    6. Jump up^ Barloc at Answers.com
    7. ^ Jump up to:a b c d "History". Chester Cathedral. Archived from the original on 27 June 2007. Retrieved 15 February 2008.
    8. Jump up^ Home 1925, pp. 18–23.
    9. ^ Jump up to:a b c d Richards 1947, p. 94.
    10. Jump up^ "St John the Baptist, Chester, Cheshire". The Corpus of Romanesque Sculpture in Britain and Ireland. Retrieved 13 June 2010.
    11. ^ Jump up to:a b c d e f Tatton-Brown & Crook 2002, pp. 94–95.
    12. Jump up^ "Chester Cathedral". University of London & History of Parliament Trust. Retrieved 28 February 2008.
    13. ^ Jump up to:a b "Chester Tourist". Chester Tourist.com. Retrieved 18 March 2008.
    14. ^ Jump up to:a b c d e Richards 1947, p. 95.
    15. ^ Jump up to:a b Nuttall 2009, p. 20.
    16. Jump up^ English Heritage. "Former monastic buildings to Cathedral Church of Christ and the Blessed Virgin Mary, Chester (1376397)". National Heritage List for England. Retrieved 8 April 2012.
    17. ^ Jump up to:a b c d e f g h i Clifton-Taylor 1967, p. 266.
    18. Jump up^ Clifton-Taylor 1967, pp. 110–113.
    19. Jump up^ Pevsner & Hubbard 2003, pp. 136–138.
    20. ^ Jump up to:a b Home 1925, pp. 14–15.
    21. Jump up^ Pevsner & Hubbard 2003, pp. 145–146.
    22. ^ Jump up to:a b c d e f Richards 1947, p. 96.
    23. ^ Jump up to:a b "Chester Cathedral". University of London & History of Parliament Trust. Retrieved 3 June 2010.
    24. Jump up^ Nicholson, Nicholson, rev Valerie Scott (2004), "Huggins, Samuel (1811–1885)", Oxford Dictionary of National Biography (Oxford University Press), retrieved 5 July 2013((subscription or UK public library membership required))
    25. ^ Jump up to:a b Lewis, C. Kenneth (1987). "Dean Addleshaw Tower". Chester Diocesan Guild of Church Bell Ringers. Archived fromthe original on 23 August 2006. Retrieved 28 February 2008.
    26. Jump up^ "Chester, Cath Ch of Christ & BVM". Dove's Guide for Church Bell Ringers. Central Council for Church Bell Ringers. 4 May 2007. Retrieved 17 July 2008.
    27. Jump up^ "Bell Tower". Chester City Council. Retrieved 28 July 2009.
    28. Jump up^ The Organ, Chester Cathedral, archived from the original on 16 January 2012, retrieved 28 February 2008
    29. Jump up^ Cowen 2003, pp. 1–112.
    30. Jump up^ Richards 1947, pp. 95–96.
    31. Jump up^ Sheehan 2003, pp. 32–35.
    32. Jump up^ Foxe's Book of Martyrs
    33. Jump up^ Richards 1947, pp. 96–97.
    34. Jump up^ Burton, Edwin (1913). "Ranulf Higden". The Catholic Encyclopedia. The Encyclopedia Press. Retrieved 18 March 2008.
    35. Jump up^ "Chester Cathedral Cloister Garth". visitchester.com. Retrieved 18 October 2009.
    36. Jump up^ Pevsner & Hubbard 2003, pp. 137–138.
    37. ^ Jump up to:a b c Refectory Cafe, Chester Cathedral, retrieved 5 July 2013
    38. Jump up^ Nuttall 2009, pp. 7–10.
    39. Jump up^ Nuttall 2009, pp. 11–13.
    40. Jump up^ Nuttall 2009, pp. 14–20.
    41. Jump up^ Chester Cathedral – Meet the Clergy (Accessed 6 January 2013)
    42. Jump up^ Services, Chester Cathedral, retrieved 5 July 2013
    43. Jump up^ Music Department, Chester Cathedral, retrieved 5 July 2013
    44. Jump up^ Organ Recitals, Chester Cathedral, retrieved 5 July 2013
    45. Jump up^ Music Schemes, Chester Cathedral, retrieved 5 July 2013
    46. Jump up^ Samuel Willoughby Duffield, English Hymns: Their Authors and History (1886), p. 358
    47. ^ Jump up to:a b Cathedral Organists. John E West. 1899
    48. Jump up^ The Succession of Organists. Watkins Shaw. 1991
    49. Jump up^ Cathedral Choir, Chester Cathedral, retrieved 5 July 2013
    50. Jump up^ Nave Choir, Chester Cathedral, retrieved 5 July 2013
    51. Jump up^ Events, Chester Cathedral, retrieved 5 July 2013
    52. Jump up^ Groups, Chester Cathedral, retrieved 5 July 2013
    53. Jump up^ Organising an Event at the Cathedral, Chester Cathedral, retrieved 5 July 2013

Sources


External links


 Media related to Chester Cathedral at Wikimedia Commons